The other day a white customer was mimicking the way a black co-worker talked over the phone to another co-worker, and when he asked her to stop she said “oh I bet your black too” and he’s like nah I’m white, you’re just being awful and I’m hanging up
It’s that easy
When people think empathy w/o personal association or investment is strange, it’s because they have none.
Seriously how has it become such a foreign concept nowadays to empathize with others even if you aren’t the one being affected by it?
The photo above is the closest humanity has ever come to creating Medusa. If you were to look at this, you would die instantly.
The image is of a reactor core lava formation in the basement of the Chernobyl nuclear plant. It’s called the Elephant’s Foot and weighs hundreds of tons, but is only a couple meters across.
Oh, and regarding the Medusa thing, this picture was taken through a mirror around the corner of the hallway. Because the wheeled camera they sent up to take pictures of it was destroyed by the radiation. The Elephant’s Foot is almost as if it is a living creature.
Friendly reminder that this blob of core material was so hot and dense, it melted/burned through three floors of the building before coming to rest in the lowest basement.
And there’s now a unique species of black mold that feeds off the gamma radiation it produces.
Is no one else seriously freaked out by that mold? No? Just me, then?
wwwwwwwwwwwwwwwwhy was someone shooting it with a kalashnikov
dps check
I mean, the Elephant’s Foot is very very dangerous, but it wouldn’t kill you instantly. When it was first created about a minute of exposure would give you a fatal dose (x, x). That number is now around one hour. And yes, that photo was taken with mirrors, but you know which one wasn’t?
Yeah, this is a selfie. The guy set the timer on the camera and went and stood by it, and it produced this horrifying image that now haunts my dreams. The reason all the photos from Chernobyl are grainy and poor-quality, by the way, is due to radiation. The cameras were fine; radiation just… does that.
Anyway, that guy’s name is Artur Korneyev- and I use ‘is’ because he’s still alive! He helped to build the original sarcophagus which encased reactor 4 after the meltdown, and kept going back inside with reporters to be like ‘look how fuckin weird this is’. He helped plan the New Safe Confinement which now surrounds the sarcophagus, and would probably have helped build it too if they didn’t full-on ban him.
A quote:
‘Korneyev’s sense of humor remained intact, though. He seemed to have no regrets about his life’s work. “Soviet radiation,” he joked, “is the best radiation in the world.”‘
Possibly the coolest guy alive? I’m tempted to think so.
Honestly, I feel like Chernobyl has been shunted into this category of like, ‘a lot of innocent and naive people died horribly’, when in reality a lot of tough as fuck people saved everybody else. The oft-told story of the ‘suicide mission’ to dive into the reactor and open the valves of the pool? Yeah, all three of the men who dove lived. One died in 2005 of heart failure; the other two are still alive.
A total of 31 direct and 15 indirect deaths are thought to have occurred from the Chernobyl disaster. Long-term deaths are… difficult to measure. Oh, and there’s a few hundred people still living in the exclusion zone.
If you’re at all interested, I really recommend reading up about Chernobyl- and, in particular, what was done to contain it and deal with the radiation. This is a beautiful write-up, and the wiki page is also worth checking out.
A lot of people did absolutely incredible work and it goes unrecognised most of the time.
Friendly reminder to all working artists or (especially) aspiring artists.
If a client says they can’t afford to pay you but you’ll get good exposure, one of two things is happening:
1. They are lying. They can afford to pay you, but they are choosing not to. They will pay the printer to print the books, they will pay the mail service to deliver them, and you’d better believe they’re going to pay themselves for sending you an email explaining that they can’t afford to pay you. They think you are a sucker, and if you take the job you’ll be telling them they are right.
2. They are not lying. They have zero budget, no audience and no real distribution system. They’ll still be paying the printer and mail service because people who work in those professions don’t work for free just because someone promises them a recommendation. But they aren’t paying themselves, they’re running on an incredibly small margin, and there’s a good chance they won’t exist as a corporate entity in a few years. Publishing your work with them will give you less exposure than putting it on tumblr or Instagram for free would. It will never lead to a paying job.
If a client starts ranting about the “short-sightedness” of artists, or otherwise complains about artists in general in their opening offer to you, run. Run as fast as you would run if a blind date spent the whole of dinner ranting about how horrible your entire gender is. Yes, there are doubtlessly clients who’ve been screwed over by artists in the past, but the ones who complain about artists in general will not respect you, they will not treat you well.
Working for free does not prove that you are passionate about something. It proves that you do not need to be paid for your work. How many doctors went into medicine because they are passionate about saving lives? Do you think any of them are asked to perform heart surgery for free?
No one will ever pay $50 for something if they can get something similar for $5. When you charge next to nothing for art that you’ve worked for hours on, art that required years of training to create, you are telling your client that it is worth next to nothing. They will remember that the next time they want to hire an artist.
People who are looking to exploit artists know that artists are hard on themselves. They know that most artists don’t think their work is good enough to charge top dollar. They know that artists have been told from the first day they started taking their art seriously as a career that they’ll never make any money off it, that it’s not a real job, that it has no value to society. They know how to push artists’ insecurities about their profession in order to convince them that that demanding fair compensation is unrealistic and uncooperative.
If you’re just desperate for a job in the arts, any job in the arts, give yourself a job. Start a webcomic, or give yourself illustration assignments that you post on social media regularly, create work for a gallery show even if you don’t have one yet, or make a book. Give yourself a job. If you’re going to work for free, you may as well be working for yourself, setting your own hours and following your own interests. Having original art with original characters and ideas in your portfolio, and making sure your art is visible online will get the attention of publishers who are actually looking to hire people for good jobs. Drawing a shitty comic for a defunct publisher based on someone else’s shitty ideas will not.
Protect yourself, because no one else will. Protect yourself, because no one else will. There are people lining up around the block to exploit you. Protect yourself because no one else will.
scott lang, completely misunderstanding peter parker’s power: hey if u want man we could get tiny and just like hang out, i don’t know if you’ve ever been in a lego castle but it’s pretty sweet
peter parker: u have no idea how much physical pain having to turn this offer down is causing me but,
Scott Lang, upon realizing Peter Parker can’t shrink: oh okay no biggee, we’ll just make the LEGO castle big
valm-melv28 